Naijahood
In what could be considered his final interview, the late Dejumo Lewis, renowned for his iconic role in the classic drama ‘Village Headmaster,’ provided insights into his extensive career, spanning over 30 years across film, radio, and television. Conducted by SEGUN ADEBAYO a few months prior to his passing at the age of 80, Lewis conveyed a sense of unrealized aspirations, suggesting there were undiscovered facets of his artistic journey yet to be unveiled. Among these was a book titled ‘The Project Afrikar,’ which he couldn’t launch due to financial constraints. The interview, potentially his last, was originally published in the Sunday Tribune edition of January 22, 2023.
Q: What prompted the decision to revive ‘Village Headmaster,’ the classic you’re currently working on?
A: The revival stems from a 30-year-long demand for the return of ‘Village Headmaster.’ Its abrupt cessation back then was disheartening, especially considering the lack of consultation with sponsors, producers, and stakeholders. The audience consistently clamored for its return, but the NTA remained unresponsive. Even the creator, Ambassador Segun Olusola, wanted a private production, yet it only materialized years after his demise when Wale Adenuga initiated a collaboration with NTA.
Q: What setbacks did the abrupt end of the program cause you personally?
A: It was a profoundly saddening and depressing experience. The sudden halt in 1989 left us powerless, only to be revived later by Wale Adenuga.
Q: Reflecting on your extensive career, do you believe current movie productions capture the essence of your earlier work?
A: TK’s production of ‘Agogo Eewo’ was comparable, addressing cultural and governance challenges. However, most productions I’ve been part of focused on social issues rather than the cultural depth we aimed for in ‘Village Headmaster.’
Q: Can you recreate the same impact if given the chance to play your earlier character?
A: Yes, I believe I can surpass my previous performance, but I have reservations about the program’s development and adherence to its original objectives.
Q: Having witnessed the industry’s transformation, what aspect do you think it hasn’t gotten right?
A: The industry’s fixation on foreign ideas and issues over indigenous concerns hampers our cultural authenticity and impedes sustainable development.
Q: Are you satisfied with the current movie releases?
A: It’s disheartening. Current films often focus on domestic, social, and military violence, contrary to our collective desire for peace and development.
Q: In which area do you feel most unfulfilled?
A: My unfulfilled dream is the publication of my book, ‘The Project Afrika.’ Lack of funds has delayed its release, but its focus is on exposing the detrimental impact of imperialism and colonialism on Africa’s development.
Q: Why did you choose to spell ‘Africa’ with a ‘K’ in ‘The Project Afrika’?
A: It’s a deliberate choice reflecting our African identity and the absence of ‘C’ in our alphabet. The project calls attention to the adverse effects of foreign influence on our governance and development.
Q: With elections approaching, what do you suggest for Nigeria’s future?
A: Rather than a general election, I propose an interim government, a zero-party election involving indigenous representatives from the major cultures. We should revert to our original democratic system to address issues like restructuring and economic development. Criticizing the central government alone misses the broader goal of sustainable development.
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